I know that I have written the following comment on
many a student work: “I can/can’t hear your voice in your writing.” Although
this may sound idiosyncratic to non-composition teachers, it makes perfect
sense to me. After all, students who try to write in a pseudo form of academic
prose can often sound like they are “faking it.” Luckily, one of the foremost
figures in composition studies agrees with me. According to Peter Elbow, “The
best writing has voice: the life and
rhythms of speech” (189). Without these needed “rhythms of speech”, the writing
feels stilted and not representative of the student’s best work. For example, imagine
if there is a composition student who wants to write an argumentative paper about
abortion. Although abortion is an overdone topic, the student may be able to
bring their own perspective to the paper through two different avenues. The
first one is that they can show their view of the abortion debate along with
the research skills in order to build a compelling argument. The second one is
that they have the writing skills to communicate that argument. Without one of
these, the other one cannot bring the paper to the position that it needs to
be. So, if the student is writing without “the life and rhythms of speech”,
this paper will come across as fake and not truly expressing what the student
is meaning to say. Instead, the paper will potentially read like a regurgitated
abortion debate instead of a fresh take on a fairly dead topic.
So
what can composition teachers do in order to help with increasing more voice in
written work? It’s extremely simple. Show them that using their voice isn’t
wrong but necessary to take a stronger responsibility to one’s work. Increasing
one’s voice may make your writing more vulnerable and risky, but it can also
heightened the writing and argument. Yes, “inventing the university” is still
important, but so is “the life and rhythms of speech”. One just has to find the
right balance between the two.
Work Cited
Elbow, Peter. “The Shifting Relationships Between
Speech and Writing.” Landmark Essays on
Speech and Writing. Ed. Peter Elbow. New York: Routledge, 2015. 181-200.
Print.
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